Mr. Jordan will sing the role of “baritone” in the Northwest premier of Hydrogen Jukebox (Phillip Glass). Presented by the University of Washington.
Mr. Jordan will sing the baritone solos in Haydn’s The Seasons (Spring) and Beethoven’s Choral Fantasy. He will be joining Olympia Chamber Orchestra (debut performance), St. Martin's Chorale, and Opera Pacifica Chorus under the direction of Nickolas Carlson. St. John's Episcopal, Olympia, Washington.
Mr. Jordan joins the Bellingham Chamber Chorale as the bass soloist for Mozart’s Coronation Mass! More info at: https://www.bellinghamchamberchorale.org
Mr. Jordan joins the Bellingham Chamber Chorale as the bass soloist for Mozart’s Coronation Mass! More info at: https://www.bellinghamchamberchorale.org
Odyssey welcomes back Vox Nova, our Ensemble-in-Residence! Vox Nova has established itself as the premiere an ensemble with no conductor, and you will really appreciate their phenomenal versatility to cover contrasting repertoire from Baroque to Modern Day eras. Their music knows no boundaries, a creative process which both instrumentalists and vocalists will appreciate. www.voxnovacomo.org
Odyssey welcomes back Vox Nova, our Ensemble-in-Residence! Vox Nova has established itself as the premiere an ensemble with no conductor, and you will really appreciate their phenomenal versatility to cover contrasting repertoire from Baroque to Modern Day eras. Their music knows no boundaries, a creative process which both instrumentalists and vocalists will appreciate. www.voxnovacomo.org
Mr. Jordan will sing the baritone solos in Orff's Carmina Burana. From CAAM's website:
"Fortune strikes again! After an incredibly successful two-night run in 2015, Missouri Contemporary Ballet and Choral Arts Alliance of Missouri team up again to produce Carl Orff’s timeless work in the way he envisioned: 'total theatre,' combining music, words, and movement to produce a thrilling effect."
Mr. Jordan will sing the baritone solos in Orff's Carmina Burana. From CAAM's website:
"Fortune strikes again! After an incredibly successful two-night run in 2015, Missouri Contemporary Ballet and Choral Arts Alliance of Missouri team up again to produce Carl Orff’s timeless work in the way he envisioned: 'total theatre,' combining music, words, and movement to produce a thrilling effect."
Mr. Jordan will sing the role of Gubetta in Donizetti's Lucrezia Borgia. Resonance at SOMA Towers.
Mr. Jordan will sing the role of Gubetta in Donizetti's Lucrezia Borgia at the Music enter of the Northwest.
Mr. Jordan will be the guest baritone soloist for the Bellingham Chamber Chorale’s performance of Faure’s Requiem.
Mr. Jordan will be the guest baritone soloist for the Bellingham Chamber Chorale’s performance of Faure’s Requiem.
Darrell J. Jordan presents his lecture recital: Cads and Buffoons-A Brief Look at Toxic Masculinity and Misogyny in Operatic Baritone Repertoire.
Arias by Donizetti, Barber, Mozart, Handel, Britten, and more!
Let's dismantle the patriarchy!
Mr. Jordan makes his debut with NOISE (Northwest Opera in Schools, Etc.) as Figaro in an abridged version of The Barber of Seville!
http://noiseforkids.org/shavingscene.html
Mr. Jordan returns to the the Seattle Gilbert & Sullivan Society to perform the role of Counsel for the Plantiff in G&S’s Trial by Jury!
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In honor of the 65th Anniversary of the founding of The Seattle Gilbert & Sullivan Society, we are celebrating with a special evening of food, libations, an open house of our production spaces, and a production of Trial By Jury — all capped off with a champagne toast to celebrate the past and welcome the next 65 years!
Doors open at 6:30 for refreshments and behind-the-scenes access to our production facility, and then at 7:30 a full cast of G&S favorites - led by Ruben van Kempen, the revered Seattle director and educator who created Patience for us last year, and our resident Maestro, Bernard Kwiram - will present a delightful concert staging of Gilbert & Sullivans second collaboration, Trial By Jury.
It will be a delightful evening full of celebration, delicious food, and good fun. We hope you will join us!
Mr. Jordan returns to the the Seattle Gilbert & Sullivan Society to perform the role of Counsel for the Plantiff in G&S’s Trial by Jury!
———
In honor of the 65th Anniversary of the founding of The Seattle Gilbert & Sullivan Society, we are celebrating with a special evening of food, libations, an open house of our production spaces, and a production of Trial By Jury — all capped off with a champagne toast to celebrate the past and welcome the next 65 years!
Doors open at 6:30 for refreshments and behind-the-scenes access to our production facility, and then at 7:30 a full cast of G&S favorites - led by Ruben van Kempen, the revered Seattle director and educator who created Patience for us last year, and our resident Maestro, Bernard Kwiram - will present a delightful concert staging of Gilbert & Sullivans second collaboration, Trial By Jury.
It will be a delightful evening full of celebration, delicious food, and good fun. We hope you will join us!
Mr. Jordan will join the Ladies Musical Club Opera as a guest artist to sing the role of Papageno and Guglielmo in scenes from Mozart's The Magic Flute and Così fan tutte. West Seattle Library.
Mr. Jordan will sing the baritone solo from Nielson's 3rd Symphony. This will be his debut with the Thalia Symphony Orchestra. Nordic Museum.
Mr. Jordan will sing the baritone solo from Nielson's 3rd Symphony. This will be his debut with the Thalia Symphony Orchestra. St. Stephen’s church in Laurelhurst.
Mr. Jordan will give his second DMA recital at the University of Washington. Selections include Ravel's song cycle Don Quichotte à Dulcinée, the West Coast premier of Herd's Confession of An English Opium-Eater, and Bach's Schweigt stille, plaudert nicht (or Coffee Cantata).
SASS joins the world in remembering the 100th anniversary of the signing of the armistice that ended World War I on November 11th, 1918.
The second concert of our 18-19 “One Voice” season dedicated to social justice, is called “Voices of War and Peace” and features Kimberly Giordano, soprano, Darrell J. Jordan, baritone, Laura Loge, soprano, Gregory Smith, piano, Charles Robert Stephens, baritone, and Brendan Tuohy, tenor.
Mr. Jordan makes his debut with the Seattle Modern Opera Company's inaugural performance of Offenbach's classic La bella Hélène. The characters are placed in a Real Housewives scenario. Mr. Jordan will be singing the role of "Andy" Calchas.
More info to come soon!
Mr. Jordan makes his debut with the Seattle Modern Opera Company's inaugural performance of Offenbach's classic La bella Hélène. The characters are placed in a Real Housewives scenario. Mr. Jordan will be singing the role of "Andy" Calchas.
More info to come soon!
Seattle Art Song Society presents a recital celebrating LGBTQ+ performers and composers, featuring Eliza Woodyard, Emerald Lessley, Aaron Norma, John Marzano, Jay Rozendaal, and Darrell J. Jordan.
Mr. Jordan will be singing selections from Poulenc's Chanson gaillardes, the rarely performed song cycle Mother Goose Rhymes by Henry Cowell, and songs from The AIDS Quilt Songbook.
Join the performers of our Studio Artists Program as we preview of this season's productions of Don Giovanni, Suor Angelica, Lucrezia Borgia, and Manon. Free Admission: Donations accepted.
Featuring:
Lee Anne Frahn Kristen Swenson
Deborah Blakesley Darrell J. Jordan
Jacob Bernado Katrina Deininger
Eliza Woodyard Mark Davies
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan makes his debut with The Seattle Gilbert and Sullivan Society as the comedic Bunthorne in the G&S classic, Patience, or Buthorne's Bride. For more information, please go to: https://www.seattlegilbertandsullivan.com/patience/
https://www.brownpapertickets.com/event/3358981
Mr. Jordan will present his paper titled "Gender-Coded Diegetic/Non-Diegetic Music: A Stake Through the Heart of Gendered Musical Traits."
Abstract: In opera, television, or cinema, the accompanying soundtrack and musical gestures within aide in informing the audience how one should perceive a situation, environment, emotion, or character, in addition to conveying cultural and social messages. Whether the music or sounds are made within the story space—and thus, are perceived by the on-screen characters—or created for the purpose of eliciting moods or reactions from the audience, the sounds and silences that one experiences from a motion picture are an integral part of forming the identities of the characters and subsequently how the audience responds to that character. This paper will attempt to investigate the relationship between masculine and feminine musical features in both diegetic and non-diegetic music in film and television, and the fictional characters with which they correspond.
The paper will briefly explore traditional gender-coded musical traits in male and female characters in earlier classical compositions, such as opera. The research will then look at how women were depicted in early Hollywood films primarily using Heather Laing’s book The Gendered Score, specifically how diegetic music can be used for masculine characters, while non-diegetic music is often associated with an emotional, feminine character. Philip Tagg’s 1989 empirical research on television themes and gender association will then be discussed to give a basis of expectations for gender-coded music. Finally, the paper will then consider the main theme of Buffy the Vampire Slayer, using Janet K. Halfyard’s article in Slayage and contributions in the book Music, Sounds, and Silence, discussing the diegetic and non-diegetic music within several episodes, exploring how the television series and its female protagonist exploit gendered musical traits and, on occasion, purposefully reversed some gendered musical expectations, without reducing the protagonist to a parody or caricature of anti-femininity.
Mr. Jordan will perform with Vox Nova. Columbia, Missouri.
Odyssey welcomes Vox Nova as our first Ensemble-in-Residence! In the past three years, Vox Nova has established itself as the premiere an ensemble with no conductor, and you will really appreciate their phenomenal versatility to cover contrasting repertoire from Baroque to Modern Day eras. Their music knows no boundaries, a creative process which both instrumentalists and vocalists will appreciate. The season finale concert will be followed by a festive reception, which has become Odyssey’s trademark: To bring audience and performers together to celebrate music. More information: www.voxnovacomo.com
